Velazquez at the National Gallery Scotland

I love this painting!  The rapport between the old woman and the boy, the visual rhythm, the composition, how it is painted...really I just admire it all.   I really struggled with my study of it.  I thought it would be easier, but this little head study gave me a run for my money.  I struggled on all the major fronts; shape, value, color and edge.   I thought I would post it anyway because sometimes it looks easy and the effort and the struggle is forgotten.

A drawn study I did the day before.

I was already struggling with looking up at the study but "seeing" his head as Velazquez did from above.   Not to make excuses but there is glass over the painting and it is more difficult to 'see the paint'. 

I tried putting in some darker transparent to help the drawing, but I didn't go far enough with compressing the shadow values...especially the orbits of the eyes, or the side and lower facial planes.  I can see that now...but I jumped in with color.

At this point I did a bit more and then called it a day.  I felt pretty discouraged.

I did a bit more when I got back to Dalkeith..and a bit in the morning from memory.   This is basically where I left it....so much to learn.  You can see that I 'undid' some of the structure of the nose...but I did get the further eye back into better proportion.

National Gallery; a Glimpse

Here is a brief video I took at the National Gallery.  It is a wonderful collection.  I will eventually do a detail of the Velazquez "Old Woman Cooking Eggs".  I am not sure if I will do a study of the boy or  of the woman.  I love this painting.  I will post the study soon.

Kelvingrove Museum James Guthrie Study

This was a bit of a fiasco but we worked it all out and I got the studies done!  Honestly, it is an absolute pleasure to do these studies.   I am learning but it is still much easier to paint from a painting than from a person sitting in front of you!

Here I am with study #1  of "Old Willie".  It is a close up detail so I can have some "room to paint".   I am at the Kelvingrove in front of another masterpiece by Guthrie.  I think his chunky brush shaped forms may have inspired Ann Gale?  I feel a real affinity for this work.

 Study #1 of the "Old Willie" painting.

This was the start of my second study...I was a bit rushed.  Looking back this feels so line driven I think I got fixated on the planes of paint instead of the planes of the head!  I had to finish in a hurry so I did not yet correct the asymmetry of the eyes....lots to learn.

Here is study 2 finished.  I really shrunk his shoulders...one of many mistakes.

Here is a detail of study #2...I could have defined that shine on his nose much better...I tweaked this with a small round bristle brush at the end..it left so many tracks...oh well on to the next one.

National Gallery Scotland Ruben's study for St. Ambrose

Thank You to Joanne at the National Gallery.  She has been so helpful as have all the staff.
I am very grateful for the warm welcome.

Very small thumbnail drawing of Rubens study for St. Ambrose

You can see how small this is in my journal.

I forgot to take an earlier stage,  this is about an hour and half into the study.  Each time I paint in the museum I feel grateful, pumped- up and humbled.

I did do a light imprimatura and a painted sketch including a kind of value map...now I think I am I just trying to get some color and values and keep thinking about the whole painting.  

Someone came by and took my picture and emailed it to me!  Thank you to all the people who were so respectful of my time but also encouraged me with words of support.  I can see here that I made his ear too long!

A little further along.  It is suggested that this is an alla prima portrait study.  But I am convinced he did not do this all in one sitting.  There are some hints at an underpainting and some surface scumble that had to be done when the pass beneath was "set up".

I took these last two just before cleaning up...I did tweak two little areas but I didn't bother to re-document.  Yep, that ear is too long...oh well, maybe St. Ambrose is known for his fine listening skills!

A detail...sorry for the glare.

National Galleries today with Rembrandt

I did two small drawings in my journal: value map.

Not quite done...

 

The gallery staff were very kind and thanks to all the passers by who encouraged me.  I painted for about 4 hours today and I think I might ask to go back to do another study...so much to learn!

Out today painting Snowdrops...I will post the finished painting soon.
Tomorrow I am doing a study  at the National Gallery!

Can you see my cluster?  

"Community Garden New Years Day"

Glad to report my painting, "Community Garden New Years Day" was juried into the 2016 Wisconsin Biennial and was awarded 3rd place. When I selected the subject of the brussel-sprouts,  I was in the community garden looking around for my next subject.  The brussel-sprouts gave me an overwhelming sense of gratitude; they seemed to symbolize "abundance".   They seemed to signify that here on the very first day of the year,  all the people in the community were fed; there were leftovers, an abundance.     Well, I started the painting Jan.1 and by the end of the first session out, my paint was so stiff and the temperatures became bitter, I realized I was going to have to abandon the subject.   I went home and thought about it and then the next morning with my husbands help, we removed the plants (very smelly as they had warmed and thawed several times.. decay of vegetation...like a barn of gassy cows) and brought them to our back yard where we dug them into the snow and I continued the painting for the next 9 days.